tirepanted3 wrote: Sun May 04, 2025 11:06 pm
Scruffy: Glad you're caught up and enjoying it! I'm hoping to pick up the pace and have the next chapter posted later this month.
Rufus: A lot of setup in this chapter, certainly. I estimate we're nearing the halfway point of the story, and pretty soon the various characters and story threads will begin intersecting and conflicting (if they haven't already).
I have the sense that I've used the "grab the last girl in line" trope a few times in the past. Though it's one of those USB mainstays that never gets old for me.
Your prediction about where all these stories are headed is on the right track, if not fully accurate. The next chapter should make clear where things are leading.
FEMME has proven to be a worthy addition to the series, adding conflict and complications to the usual uniform thefts. I was originally planning to hold off a bit longer on turning a few of them into USB victims, but I think it adds a level of danger and suspense (for various characters across the USB spectrum) to have their ranks infiltrated by the Russian militants.
And as with Adelaide's grabbing the last girl in line, I couldn't resist a good "offscreen scuffle" for Katerina and her FEMME target.
I would say an important difference between Elena and Bobbi is that Bobbi undoubtedly took pleasure in mugging women for their clothes - it allowed her to feel more assertive and controlling - while Elena is more curious and amused by the prospect. She comes from a part of the world where uniform stealing is apparently not a part of daily life, so the concept fascinates her as something new and different. She doesn't partake in uniform stealing out of cruelty or malice, but rather out of curiosity and intrigue.
Polina is caught between her two loves - Lupe and uniform stealing. A very strange love triangle.

But it is indeed to her benefit that Lupe now has actual need of her.
I was surprised to learn that this may be the first story I've ever written in which park rangers are mugged for their uniforms. The only other instance that might qualify is one of the early "Spacesuit" stories where Felicia and Bobbi discuss the time they stole some ranger outfits to infiltrate a park. But that was never shown, only mentioned.
The sad truth about Olga is that most of her one-liners are pretty weak and unfunny. She has a lousy sense of humor, and it's probably a mercy that her victims are unconscious and thus unable to hear her bad jokes.
I can never resist a fun transition. This one in particular felt like a good way to contrast Katerina's dark thoughts with Polina's mischief.
The “grab the last girl of the line” trope seems to have a weird history – I recall it used to be more commonplace in your older stories, then it faded away, and is now making its return. Probably one of the least realistic USB-situations, but a very fun mental picture.
As far as USB antagonists go, FEMME ticks all the boxes – they’re as close to perfect as an antagonist can be as far as I’m concerned. They have a strong identity, their military/law enforcement feel and equipment gives them an appeal. (Armed women aren’t my favorite kind of victims, but the imagery is still very hot.) They have this arrogant “I’m-better-than-you” demeanor that makes for people we like to see get knocked down a peg. At the same time, they are shown to be a legitimate threat due to their awareness of USB tactics– technically, even Alix is mentioned to have put up quite a fight even though she was ambushed and mugged like your typical sentry. They are linked to one key theme of this series – exploring how a ‘semi-realistic / plausible’ world would react to the emergence of uniform stealing tactics – which has always been one of my favorite part of your late stories. At the same time, they can bring more serious topics and question the boundaries of USB tactics – as shown in this part with the tale about the successful bombing. Clearly I believe FEMME is one of the greatest assets of this series.
I see why you wished to wait as long as possible before FEMME agents began to fall victims to USB tactics, as it portrays them as this dangerous threat, but then again we are reaching a climactic part for the Madame Mayor saga as a whole, so FEMME agents being mugged for disguise is a way to show things are now serious.
And let’s be honest, we were all waiting for the moment some FEMME agents would be mugged for disguise – the appeal of strong anti-USB fighters getting knocked out, stripped, trussed up, and impersonated is simply too sexy.
As for Olga, I must say she has the bad luck of having stiff competition, when even the third-person narration cracks one-liners from time to time!
My comparison between Elena and Bobbie is mostly in terms of her role in the narration and the emotional response she elicits from me, not really in terms of personalities. Short story: Exactly like Bobbie, there is something about Elena that ends up rubbing me the wrong way because of a purely personal emotional reason.
Long story: From a narrative standpoint, I have nothing bad to say about Elena’s character – she’s internally coherent, and the rookie/mentor dynamic between her and Polina is well-done and leads to good dialogues. So I see why many people could enjoy her presence. But I’m totally non-receptive to it. I have this feeling that the narration gives her preferential treatment – a bit like with Bobbie. In that Elena is still meant to be one of the characters the reader is (implicitly) asked to root for by the narration. Your series always portrays a wide gallery of morally grey characters, but it’s also always been clear that there were characters who were meant to be more sympathetic than others – and with the reveal of Heather’s true nature, it’s pretty obvious the narration wants readers to root for Elena. For me, problem is I find her hard to root for. Just like Bobbie, and even though she doesn’t act on negative emotions, Elena still brushes off the negative consequences of her actions, writes off what she inflicts to women who didn’t do anything to her as unimportant, and (even worst in my book) is extremely quick to brush off the concerns and the feelings of her cousin who loves and supports her. You could say I think explanation is no excuse when it comes to her reasons and motivations. But of course the key reason of my reaction is the context – after all, with this description I’ve also described other characters I like. (Like for instance Charlotte, if you allow a comparison with my work. Charlotte too is a uniform stealing enthusiast. But Charlotte is also an antagonist, is portrayed as such by the narration, and her inability to grasp the bad consequences of her actions is the key reason why she’s shown to be an antagonist. Now, of course Elena’s personality isn’t meant to be as extreme as Charlotte’s, but I think there is a somewhat similar logic behind them.) The difference here is that I feel the narration is on Elena’s side. Here, as I mentioned, Elena is very lucky the events turned out exactly like they did, and Heather turned out to be a criminal worst than Oksana and Polina. If not, she’d have become complicit to some pretty heinous acts. Had Heather proven to be a decent person just doing her job and who was simply (understandably) unwilling to cooperate with criminals, would Elena have let Oksana and Polina shake her up? Hurt her? The narration is silent about how she feels about the whole situation before Heather turns out to be willing to murder innocent people. Plus, while it’s logical in-universe that Elena acts rashly, I find her decision painfully short-sighted – which doesn’t endear her to me. I mean: even if the ploy had worked and she had become a citizen, what would have happened next? Would she just believe Heather wouldn’t report her? Because outside of killing Heather, there’s no way to prevent her from reporting her. Bottom line, I think the more grounded a series become, the more character archetypes like Elena don’t work on me anymore unless they play an antagonistic role. I spent a lot of time on this specific detail, but at least I’ve properly explained my viewpoint. As I mentioned, it has nothing to do with the quality of the writing (still top-notch) or the character (still internally coherent). It’s just I think I know where Elena’s development will lead her, and I anticipate my negative feelings won’t evolve, so I’ll try to not ramble about them anymore now I’ve pin-pointed them – just like back in the days with Bobbie. Guess that’s also why I don’t care much for Polina’s plight as well – not exactly invested in seeing her get a happy ending.
Wow, I didn’t think we were only half-way… Plenty of more one-liners on the horizon. Good luck with the next part!